The Long Goodbye - Introduction, Reelive

Philip Marlowe
Philip Marlowe

Ginger? What a name... I always forget your name.

Cat
Cat

Meow.

Philip Marlowe
Philip Marlowe

You know something? You’re the only one I can count on.

The Meeting, Reelive

Roger Wade
Roger Wade

I’m gonna get out of this town.

Philip Marlowe
Philip Marlowe

Out of this town? Why? What’s the matter with it?

Roger Wade
Roger Wade

It’s all phony. Just like the people.

Philip Marlowe
Philip Marlowe

Try to find a phony that buys a drink.

The Misunderstanding, Reelive

Philip Marlowe
Philip Marlowe

I trust a few people in this town.

Police Officer
Police Officer

And how many in your line of work?

Philip Marlowe
Philip Marlowe

Not as many as you think.

The Confession, Reelive

Philip Marlowe
Philip Marlowe

What’s true anymore? Is it just what you believe?

Key Character
Key Character

I believe I did what I had to.

Philip Marlowe
Philip Marlowe

But at what cost?

Philosophical Exchange, Reelive

Philip Marlowe
Philip Marlowe

Life? It’s complicated, like a bad joke.

Another Character
Another Character

And what’s the punchline?

Philip Marlowe
Philip Marlowe

There isn't one.

The Reveal, Reelive

Philip Marlowe
Philip Marlowe

You think you can fool me?

Friend
Friend

I didn’t mean to—

Philip Marlowe
Philip Marlowe

But you did.

The Escape Plan, Reelive

Philip Marlowe
Philip Marlowe

I need a way out, and it has to be clever.

Accomplice
Accomplice

What’s the plan?

Philip Marlowe
Philip Marlowe

You’ll see. Just trust me.

The Aftermath, Reelive

Philip Marlowe
Philip Marlowe

Choices, choices. They haunt you, don’t they?

Voiceover
Voiceover

If only I'd chosen differently...

Philip Marlowe
Philip Marlowe

But life doesn’t allow second chances.

Despair, Reelive

Philip Marlowe
Philip Marlowe

What do you do when there’s no hope left?

Ally
Ally

Fight, even if it’s futile.

Philip Marlowe
Philip Marlowe

But why?

The Suspicion, Reelive

Philip Marlowe
Philip Marlowe

You’re hiding something from me, aren’t you?

The Betrayer
The Betrayer

What makes you say that?

Philip Marlowe
Philip Marlowe

My gut and the evidence.

The Final Confrontation, Reelive

Philip Marlowe
Philip Marlowe

You think you can just walk away?

Antagonist
Antagonist

And why not?

Philip Marlowe
Philip Marlowe

Because I won’t let you.

Reflections, Reelive

Philip Marlowe
Philip Marlowe

In the end, what’s it all worth?

Voiceover
Voiceover

Just memories, fading like the sun.

Philip Marlowe
Philip Marlowe

And what remain? Shadows.

Searching, Reelive

Philip Marlowe
Philip Marlowe

I’m looking for someone.

Bystander
Bystander

A needle in a haystack?

Philip Marlowe
Philip Marlowe

More like looking for my heart.

Revelation, Reelive

Philip Marlowe
Philip Marlowe

This whole thing was a setup, wasn’t it?

Manipulator
Manipulator

You were always too smart.

Philip Marlowe
Philip Marlowe

And you were always too slick.

Choices Made, Reelive

Philip Marlowe
Philip Marlowe

Every choice leads somewhere, doesn’t it?

Companion
Companion

Unless there are no choices left.

Philip Marlowe
Philip Marlowe

Then it’s just a dead end.

Survivors, Reelive

Philip Marlowe
Philip Marlowe

We survived, so what now?

Companion
Companion

We keep moving forward.

Philip Marlowe
Philip Marlowe

Into the unknown.

Echoes of History, Reelive

Philip Marlowe
Philip Marlowe

History has a way of repeating itself.

Historian
Historian

And we never learn, do we?

Philip Marlowe
Philip Marlowe

No, we just endure.

Dark Humor, Reelive

Philip Marlowe
Philip Marlowe

Want to hear a joke?

Friend
Friend

Sure, make me laugh.

Philip Marlowe
Philip Marlowe

Life. It’s a punchline waiting to happen.

Endgame, Reelive

Philip Marlowe
Philip Marlowe

This is where it all ends, huh?

Voiceover
Voiceover

And where it all begins again.

Philip Marlowe
Philip Marlowe

Life's a cycle, always turning.

Philip Marlowe

It's not my bloody business, is it?

Philip Marlowe

The Long Goodbye, Reelive
Philip Marlowe

This is a story of a man who walks a long goodbye.

Philip Marlowe

The Long Goodbye, Reelive
Philip Marlowe

I don't know why I get the feeling that I'm running in circles.

Philip Marlowe

The Long Goodbye, Reelive
Philip Marlowe

It's a little late for me to start trusting anyone.

Philip Marlowe

The Long Goodbye, Reelive
Philip Marlowe

You know, I’m a sucker for the soft touch.

Philip Marlowe

The Long Goodbye, Reelive
Philip Marlowe

They don’t make friends like they used to.

Philip Marlowe

The Long Goodbye, Reelive
Philip Marlowe

You want the truth? You can't handle the truth!

Philip Marlowe

The Long Goodbye, Reelive
Philip Marlowe

What are you gonna do? Just keep buying time?

Philip Marlowe

The Long Goodbye, Reelive
Philip Marlowe

Everybody is a suspect.

Philip Marlowe

The Long Goodbye, Reelive
Philip Marlowe

I’m just a private detective; I don’t make the rules.

Philip Marlowe

The Long Goodbye, Reelive
Philip Marlowe

I’ve heard of being a soft touch, but this is ridiculous.

Philip Marlowe

The Long Goodbye, Reelive
Philip Marlowe

They say if you want a thing done right, do it yourself.

Philip Marlowe

The Long Goodbye, Reelive
Philip Marlowe

I don’t need a gun, just a good alibi.

Philip Marlowe

The Long Goodbye, Reelive
Philip Marlowe

You don’t have to be a genius to figure it out.

Philip Marlowe

The Long Goodbye, Reelive
Marlowe's Friend

The world is a strange place, Philip.

Marlowe's Friend

The Long Goodbye, Reelive
Philip Marlowe

Sometimes I can’t tell if I’m winning or losing.

Philip Marlowe

The Long Goodbye, Reelive
Philip Marlowe

Life is funny that way, isn’t it?

Philip Marlowe

The Long Goodbye, Reelive
Philip Marlowe

I’m the guy who always comes through in the end.

Philip Marlowe

The Long Goodbye, Reelive
Philip Marlowe

At least in the end, I can say I tried.

Philip Marlowe

The Long Goodbye, Reelive
Philip Marlowe

I guess the truth hurts.

Philip Marlowe

The Long Goodbye, Reelive
Philip Marlowe

Imagination is a dangerous tool.

Philip Marlowe

The Long Goodbye, Reelive
Philip Marlowe

In this world, you never know when you are being watched.

Philip Marlowe

The Long Goodbye, Reelive
Philip Marlowe

In the end, it’s all just a story.

Philip Marlowe

The Long Goodbye, Reelive
Philip Marlowe

If only you could see what I see.

Philip Marlowe

The Long Goodbye, Reelive

The Long Goodbye

The Long Goodbye by Johnnie Mercer, Main theme song, played throughout the film

Hooray for Hollywood

Hooray for Hollywood by Various Artists, Played during the party scene

I'm Always Chasing Rainbows

I'm Always Chasing Rainbows by Al Jolson, Used in a scene at a bar


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The Opening Scene

The film begins with a slow zoom on private detective Philip Marlowe, played by Elliott Gould, who is seen talking to his cat in a casual, almost whimsical manner. This scene sets the tone for the film, showing Marlowe's laid-back attitude in stark contrast to the serious crime drama that unfolds later. As he explains his routines and thoughts, it hints at his loneliness and isolation, which becomes a recurring theme throughout the film. This introduction to Marlowe’s character makes viewers quickly empathize with his quirks and idiosyncrasies.

Context: Marlowe is a detective navigating through a mystery involving his friend. The tone is set as relaxed and noir, establishing Marlowe’s personality, which is essential for understanding his reactions when the world around him becomes chaotic.

Marlowe at the Art Gallery

Marlowe visits an art gallery where he encounters a series of characters that lead him deeper into the mystery. He overhears conversations that hint at danger and deceit. The camera captures his expressions, revealing a man caught between curiosity and the looming sense of threat. As he observes the interactions, his body language grows tense, indicating that he knows he's stepping into something darker. This scene establishes the tone of confusion and danger that accompanies Marlowe's journey.

Context: As Marlowe starts piecing together clues about his friend’s disappearance, the art gallery serves as a backdrop highlighting both the beauty and danger in the world he inhabits, deepening the noir atmosphere.

The Encounter with Harry

In a dimly lit bar, Marlowe meets Harry, a shady character who represents the criminal underbelly of the story. The tension rises as Harry makes veiled threats and questions Marlowe’s loyalty. It's a pivotal moment as viewers realize that Marlowe is in over his head. The grim atmosphere, coupled with Harry's menacing demeanor, amplifies the stakes. An intense exchange occurs, where Marlowe's calm demeanor contrasts sharply with Harry's aggression, reflecting Marlowe’s resilience.

Context: Harry is a key figure in the criminal network Marlowe is navigating. This confrontation not only heightens the drama but also reveals the dangers Marlowe faces, increasing the stakes of his investigation.

Suspicions about Eileen

Marlowe meets Eileen, a femme fatale character whose motives are unclear. During their conversation, her ambiguous intentions lead Marlowe to grapple between attraction and distrust. The cinematography emphasizes her beauty but also hints at dangers hidden beneath the surface. This scene is pivotal because it captures Marlowe’s internal conflict, and viewers feel his struggle between longing and wariness.

Context: The meeting reinforces the themes of betrayal and seduction in the film. Eileen’s character serves as a symbol of the murky morality that Marlowe deals with as he navigates a world fraught with deception.

The Phone Call

Marlowe receives a phone call from a mysterious source urging him to stop his investigation. The urgency in the caller's voice, paired with Marlowe’s increasing concern, adds a layer of suspense. His facial expressions change from confusion to anger, showcasing his determination to continue. This moment marks a turning point, as Marlowe is now directly threatened, which propels him further into the heart of danger.

Context: The call amplifies the tension of the narrative and shows that Marlowe is becoming a target. This realization compels him to dig deeper, despite the risks involved.

The Fight with the Thugs

Marlowe finds himself in a physical confrontation with a group of thugs trying to intimidate him. Despite Marlowe's laid-back nature, he fights back with unexpected ferocity. The scene is gritty and raw, showing Marlowe's resilience in the face of danger. The visceral action conveys the stakes more vividly than dialogue could, as viewers feel the desperation and determination embodied in Marlowe.

Context: The struggle reinforces Marlowe's character arc—it shows that while he seeks truth and justice, he is willing to put himself in harm's way to pursue those ideals.

The Reveal at the Mansion

Marlowe finally arrives at a lavish mansion where pivotal truths about the case are unveiled. The extravagant setting contrasts with the dark revelations about betrayal and lost loyalties. The atmosphere is thick with tension as secrets are revealed. The pivotal line, ‘So this is how it ends,’ spoken by Marlowe, encapsulates his disillusionment. This moment marks a crucial turning point in the story.

Context: The mansion symbolizes the wealth and power that corrupts. The revelations here serve to deepen Marlowe's understanding of the complexities of his investigation, reflecting the film’s themes of moral ambiguity and betrayal.

The Descent into Isolation

After uncovering unpleasant truths, Marlowe spends a night alone in his apartment, reflecting on his choices. The silence and darkness around him enhance his feelings of isolation. The camera lingers on Marlowe contemplating the futility of his efforts; this moment of introspection reveals the emotional toll on him. It captures the essence of loneliness that permeates the film.

Context: This scene emphasizes Marlowe’s existential struggles and reinforces the themes of isolation and betrayal that linger throughout the film.

The Climactic Confrontation

In a tense showdown with the film’s antagonist, everything culminates in an intense battle of wits and will. Marlowe stands his ground, unwavering in a tense standoff. The visuals heighten the stakes, using shadows and dim lighting to create an atmosphere of impending doom. Marlowe’s resolve is captured in his dialogue: ‘I’m not afraid of you.’ This moment encapsulates not only the tension but also Marlowe's growth as a character.

Context: This confrontation epitomizes the struggle between good and evil, emphasizing Marlowe's refusal to back down even when faced with insurmountable odds.

The Cathartic End

After the final confrontation, Marlowe finds himself reflecting on everything that has transpired. His face is a mixture of relief and sadness as he comes to terms with his choices. The lingering shots of him walking away for a final time resonate with viewers, embodying the theme of moral ambiguity that defines his journey. The final line, ‘It’s a long goodbye,’ captures the sentiment of loss and acceptance.

Context: This scene serves as both a resolution and an open-ended conclusion, reinforcing the complexities of life, loss, and the journey of a detective in a morally grey world.

The Conversations with the Cat

Throughout the film, Marlowe has reflective conversations with his cat, illustrating his deep sense of isolation. These moments punctuate the narrative with humor and melancholy, allowing viewers a glimpse into Marlowe’s psyche. The simple dialog brings warmth, contrasting sharply with the darker elements of the story. These scenes help to flesh out Marlowe's character, showing that behind the tough exterior lies a vulnerable man.

Context: These moments serve to humanize Marlowe, reminding viewers that in his world of shadows and intrigue, he seeks solace in the simple comfort of companionship.

The Emotional Reunion

After a long chase, Marlowe finally confronts someone from his past, driving home feelings of nostalgia and regret. The dialogue is soft, filled with lost hopes and aspirations. ‘We were good once,’ Marlowe reflects, encapsulating the weight of time and change. This emotional exchange reopens wounds while giving a sense of closure for the lost relationships in his life.

Context: This reunion captures the essence of nostalgia that runs through the movie, emphasizing the film's exploration of lost connections and emotional scars.

Marlowe’s Solitude

In a quiet bar, Marlowe contemplates his lonely existence. The sparse lighting reflects his weary state, and as he sips a drink alone, viewers feel the weight of his solitude. He shares a brief conversation with the bartender, sparking a moment of connection, yet ultimately, he remains isolated in his thoughts. This scene is reflective, showcasing how lonely and disenchanted Marlowe has become.

Context: Marlowe’s solitude emphasizes the overarching theme of alienation in the face of a corrupt world, making viewers question the price of pursuing truth and justice.

The Closure of the Case

After a whirlwind of events, Marlowe provides a final report on the investigation. His voiceover reflects on the futility of justice within a flawed system. The camera captures Marlowe's weary eyes, signifying the emotional toll of his quest. This culmination reveals the harsh realities he must accept, ultimately highlighting the film’s exploration of mental fatigue and the quest for meaning.

Context: This moment serves as a stark reminder that the pursuit of truth often leads to disillusionment, a major theme in noir cinema.

The Friendship with Harry

In a surprising twist, Marlowe demonstrates unexpected empathy towards Harry, showcasing a deeper understanding of the corrupt world they inhabit. Their dialogue highlights vulnerability and shared struggles, creating a complex dynamic between them. The moment defies initial perceptions, inviting viewers to reconsider the nature of friendship amidst chaos.

Context: This scene deepens the film's exploration of morality—showing that even those embroiled in corruption have facets of humanity that can be understood.

The Moment of Decision

Confronted with a moral dilemma, Marlowe hesitates before making a choice that could change everything. The tension builds as viewers are left in suspense, considering the weight of his decision. As Marlowe makes his choice, the visuals highlight the gravity of the moment, foregrounding the inner turmoil he faces.

Context: This scene embodies the conflicts Marlowe experiences throughout the film, emphasizing the struggle between personal ethics and external influences.

Flashback to Better Times

A flashback sequence reveals Marlowe's past happiness, contrasting sharply with his current plight. The vibrant colors and laughter create a poignant reminder of what was lost. This moment connects emotionally, as viewers experience the weight of nostalgia and lost opportunities alongside Marlowe.

Context: These flashbacks are crucial in highlighting the film's exploration of loss and the inevitability of change over time.

The Moments of Regret

Marlowe sits alone on a park bench at dusk, lost in thought. He ponders the decisions that brought him to this moment, intertwining his personal struggles with the unresolved narratives of the cases he takes on. The visuals of the setting sun symbolize the end of an era, showcasing the weight of regret and unfulfilled dreams.

Context: This moment encapsulates Marlowe’s journey by reflecting on lost opportunities, enhancing the film's themes of solitude and existential questioning.

The Final Goodbye

As the film comes to a close, Marlowe walks alone down a deserted road. A palpable sense of loneliness surrounds him. His final words, ‘It’s just a long goodbye,’ serve as a haunting reminder of the connections we lose and the onslaught of time. This powerful scene leaves viewers reflecting on Marlowe’s journey and the universal themes of heartache and loss.

Context: This final moment connects all the themes and character arcs in the film, providing a cathartic conclusion while leaving a distinct imprint on the viewer’s emotional landscape.


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Elliott Gould's Choice of Costume

Actor Elliott Gould insisted on wearing a casual wardrobe based on his character, private detective Philip Marlowe, to ensure authenticity.

Why it matters: This choice helped to create a unique, laid-back atmosphere in the film, contrasting with the typical noir aesthetic, which influenced the audience's perception of Marlowe as an unconventional sleuth.

The Cat Cameo

The cat in the movie was a real cat that was adopted by Elliott Gould during filming, and it often improvised its scenes.

Why it matters: This spontaneous addition added an element of unpredictability to the film, enhancing the quirky tone that director Robert Altman was aiming for, and making certain scenes feel more organic.

Use of Long Takes

Director Robert Altman employed long takes to create a more immersive environment and give scenes a natural flow.

Why it matters: This innovative technique contributed to the film's unique pacing, allowing the audience to feel as if they were part of the environment and enhancing the overall viewing experience.

Philip Marlowe's Tired Persona

Elliott Gould portrayed Marlowe as a more weary and disenchanted version compared to traditional portrayals of the character.

Why it matters: This interpretation provided depth to Marlowe, reflecting the disillusionment of the 1970s and resonating with audiences who appreciated the film’s departure from stereotypical hard-boiled detectives.

The Jazz Score

The film featured a jazz score by composer John Williams, which was a significant departure from typical film noir scores.

Why it matters: The jazzy overtones contributed to the film's laid-back vibe while also subverting audience expectations, reinforcing Altman's innovative direction in the genre.

On-set Improvisation

Many of the dialogues in the film were improvised, which resulted from Altman's collaborative environment.

Why it matters: This improvisation lent a naturalistic quality to the interactions between characters, making them feel more relatable and spontaneous, enhancing the film’s narrative authenticity.

The Iconic Car Scene

The scene where Marlowe drives through Los Angeles was filmed without permits, capturing the city’s vibe authentically.

Why it matters: By using real locations and avoiding scripted barriers, the film grounded its story in a realistic setting, further immersing the audience into Marlowe’s world.

Last-minute Casting Change

Originally, a different actress was cast for the role of Eileen Wade, but she was replaced last minute by Nina van Pallandt.

Why it matters: Van Pallandt’s performance added an unforeseen complexity to the character, influencing the film’s emotional tone and the dynamic between Marlowe and Eileen.

The Unconventional Ending

Altman chose to omit a typical resolution, leaving some plot threads unresolved.

Why it matters: This ending invited viewers to ponder the narrative longer after the credits rolled, aligning perfectly with the film's themes of ambiguity and uncertainty.

Visual Style Influenced by Early Art

The cinematographer, Vilmos Zsigmond, drew inspiration from the works of the Impressionists to create a visually rich tapestry.

Why it matters: This artistic approach set 'The Long Goodbye' apart visually, contributing to its status as a landmark film within the genre for its aesthetic beauty.

Gould's Devotion to the Role

Elliott Gould immersed himself in his character's world, even studying private detectives to land a more authentic performance.

Why it matters: His deep investment in the role resulted in a multi-dimensional portrayal that enhanced audience engagement with Marlowe's plight.

Scriptural Flexibility

The script underwent numerous revisions during filming, allowing adjustments to be made in real-time.

Why it matters: This flexibility contributed to the film's fluidity, making the characters' interactions feel more genuine and engaging to the audience.

Role Recasting

The role of the eccentric Roger Wade was initially offered to several actors, including the legendary actor Sterling Hayden.

Why it matters: Hayden’s eventual involvement brought a significant gravitas to the film and altered the energy between characters in key scenes.

Innovative Use of Sound

Altman’s distinctive use of overlapping dialogue was intricately woven into the sound design.

Why it matters: This created an authentic soundscape that allowed viewers to feel the hustle and bustle of Los Angeles while making conversations feel more dynamic and true to life.

Motorcycle Stunt Mix-Up

During a scene involving motorbikes, an accident occurred where one of the stunt performers accidentally collided with a car; rather than reshooting, they used that footage.

Why it matters: This decision lent a rawness and unpredictability to the scene that added to the film’s overall realism, making it feel more visceral.

Creative Title Sequence

The film's title sequence was designed by the renowned graphic designer Saul Bass, who used an artistic and playful approach.

Why it matters: This visually striking intro immediately set a tongue-in-cheek tone for the film, signaling to audiences that this was a unique take on film noir.

Philosophical Themes

The film contained philosophical dialogue that reflected 1970s existential anxiety, which was not widely seen in detective films of the time.

Why it matters: This subtext added layers of meaning and invited viewers to explore deeper themes beyond the surface narrative, resonating with audiences facing their own existential questions.

The Oddball Characters

Supporting characters in 'The Long Goodbye' were intentionally designed to be quirky and eccentric, differing from standard film noir archetypes.

Why it matters: They added a fresh and humorous element that allowed for moments of levity in an otherwise serious narrative, creating a memorable viewing experience.


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