You Talkin' to Me?, Reelive

Travis Bickle
Travis Bickle

You talkin' to me?

Travis Bickle
Travis Bickle

You talkin' to me? Well, I'm the only one here.

Travis Bickle
Travis Bickle

Who the f*** do you think you're talking to?

Travis Bickle
Travis Bickle

You talking to me?

Travis Bickle
Travis Bickle

Well, I'm the only one here.

Travis Bickle
Travis Bickle

So you better just get used to that.

Are You Talking to Me?, Reelive

Travis Bickle
Travis Bickle

You lookin' at me?

Travis Bickle
Travis Bickle

You talking to me?

Travis Bickle
Travis Bickle

Then who the hell are you talking to?

You Can't Change the World, Reelive

Travis Bickle
Travis Bickle

You know, you can't change the world.

Betsy
Betsy

I know that, but you can change yourself.

Travis Bickle
Travis Bickle

I can't change who I am.

Betsy
Betsy

Then that's something you need to work on.

The Real Thing, Reelive

Travis Bickle
Travis Bickle

I’m just trying to be the real thing.

Wizard
Wizard

You're gonna have to figure out what's really real.

Travis Bickle
Travis Bickle

I know what's real!

Wizard
Wizard

No, you don't!

Is It Just Me?, Reelive

Travis Bickle
Travis Bickle

Don't you feel like you're just going through the motions?

Acquaintance
Acquaintance

What do you mean?

Travis Bickle
Travis Bickle

Is it just me?

Acquaintance
Acquaintance

Nah, man. Just keep moving.

You're Alone, Travis, Reelive

Travis Bickle
Travis Bickle

You’re alone, Travis.

Travis Bickle
Travis Bickle

No one understands you.

Travis Bickle
Travis Bickle

It's just you.

They're All Filth, Reelive

Travis Bickle
Travis Bickle

They’re all filth!

Dispatcher
Dispatcher

Come on, Travis.

Travis Bickle
Travis Bickle

No, really! They are!

You Gotta Do Something, Reelive

Friend
Friend

You gotta do something about it.

Travis Bickle
Travis Bickle

What can I do?

Friend
Friend

Anything! Just don't sit there.

Travis Bickle
Travis Bickle

I can't just sit there anymore.

I'm Ready, Reelive

Travis Bickle
Travis Bickle

I’m ready.

Travis Bickle
Travis Bickle

I’m ready to do something.

Travis Bickle
Travis Bickle

I can’t take it anymore.

I Can Help You, Reelive

Travis Bickle
Travis Bickle

I can help you.

Character
Character

Help me how?

Travis Bickle
Travis Bickle

By doing something about it.

The City is Filth, Reelive

Travis Bickle
Travis Bickle

This city is filth.

Friend
Friend

It’s bad, but you can't change it.

Travis Bickle
Travis Bickle

I can try.

Friend
Friend

Trying isn't enough.

People Don't Care, Reelive

Travis Bickle
Travis Bickle

People don’t care.

Friend
Friend

About what?

Travis Bickle
Travis Bickle

About each other.

Friend
Friend

What do you mean?

Travis Bickle
Travis Bickle

They just go along.

This is My Time, Reelive

Travis Bickle
Travis Bickle

This is my time.

Travis Bickle
Travis Bickle

I can be someone.

Travis Bickle
Travis Bickle

I won’t be ignored.

Make Your Move, Reelive

Travis Bickle
Travis Bickle

Make your move.

Travis Bickle
Travis Bickle

You're either in or out.

I'm Not a Monster, Reelive

Travis Bickle
Travis Bickle

I’m not a monster.

Travis Bickle
Travis Bickle

I’m doing this for a reason.

Get Your Gun, Reelive

Travis Bickle
Travis Bickle

Get your gun.

Travis Bickle
Travis Bickle

We’re going to take out the trash.

It's Time to Act, Reelive

Travis Bickle
Travis Bickle

It’s time to act.

Travis Bickle
Travis Bickle

I can't wait any longer.

Take Control, Reelive

Travis Bickle
Travis Bickle

Take control of your life.

Character
Character

How?

Travis Bickle
Travis Bickle

By choosing your path.

This is America, Reelive

Travis Bickle
Travis Bickle

This is America.

Friend
Friend

What does that mean?

Travis Bickle
Travis Bickle

It means nothing.

The Fight in Me, Reelive

Travis Bickle
Travis Bickle

There's a fight in me.

Character
Character

What are you talking about?

Travis Bickle
Travis Bickle

I need to let it out.

Travis Bickle

You talking to me? Well, I'm the only one here.

Travis Bickle

Taxi Driver, Reelive
Travis Bickle

Someday a real rain will come and wash all this scum off the streets.

Travis Bickle

Taxi Driver, Reelive
Travis Bickle

I'm not an alien. I'm just a little bit different.

Travis Bickle

Taxi Driver, Reelive
Travis Bickle

All the animals come out at night, whores and gamblers, and sick people.

Travis Bickle

Taxi Driver, Reelive
Travis Bickle

I coulda been a contender. I could've been somebody.

Travis Bickle

Taxi Driver, Reelive
Travis Bickle

You’re only as good as your last job.

Travis Bickle

Taxi Driver, Reelive
Travis Bickle

I’m just trying to earn a living. What’s wrong with that?

Travis Bickle

Taxi Driver, Reelive
Travis Bickle

I got some bad ideas in my head.

Travis Bickle

Taxi Driver, Reelive
Travis Bickle

You have to be strong in this world. You can’t let them take you down.

Travis Bickle

Taxi Driver, Reelive
Travis Bickle

It's all a catastrophe.

Travis Bickle

Taxi Driver, Reelive
Travis Bickle

I’m not sure I’ll ever find a place where I belong.

Travis Bickle

Taxi Driver, Reelive
Travis Bickle

You can't fight the world. The world fights you.

Travis Bickle

Taxi Driver, Reelive
Travis Bickle

You don't want to know what happens to the ones who don't make it.

Travis Bickle

Taxi Driver, Reelive
Travis Bickle

I am a night person.

Travis Bickle

Taxi Driver, Reelive
Travis Bickle

You’re going to see some real action.

Travis Bickle

Taxi Driver, Reelive
Travis Bickle

This is the end.

Travis Bickle

Taxi Driver, Reelive
Travis Bickle

Do I have to die on my own?

Travis Bickle

Taxi Driver, Reelive
Travis Bickle

I can't make you love me if you don't.

Travis Bickle

Taxi Driver, Reelive
Travis Bickle

You see, I’m not a bad guy, just a little...misunderstood.

Travis Bickle

Taxi Driver, Reelive
Travis Bickle

I got a plan.

Travis Bickle

Taxi Driver, Reelive
Travis Bickle

Life is like a bad novel.

Travis Bickle

Taxi Driver, Reelive
Travis Bickle

A lot of people say they're not afraid to die. But that's not true.

Travis Bickle

Taxi Driver, Reelive
Travis Bickle

You know, I do what I want.

Travis Bickle

Taxi Driver, Reelive
Travis Bickle

If you want to make a living, you gotta get dirty.

Travis Bickle

Taxi Driver, Reelive
Travis Bickle

I just wanted to go... somewhere where things are better.

Travis Bickle

Taxi Driver, Reelive

Theme from Taxi Driver

Theme from Taxi Driver by Bernard Herrmann, Main theme playing throughout the film

Honky-Tonk Women

Honky-Tonk Women by The Rolling Stones, Travis' date scene

The Man on the Street

The Man on the Street by Bernard Herrmann, Various transitional scenes

The Last Temptation of Christ

The Last Temptation of Christ by Bernard Herrmann, Climactic scenes


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Travis and the Wall

This scene happens when Travis Bickle is alone in his motel room, looking into the mirror. He practices talking to himself, holding a gun and asking, 'You talking to me?' This moment captures his isolation and growing disconnection from society. His anger boils under the surface as he feels increasingly alienated in the neon-lit, gritty streets of New York City.

Context: Travis is a Vietnam War veteran struggling to find his place in a city that feels dark and corrupt. His mental state deteriorates as he becomes more obsessed with violence as a solution to his feelings of powerlessness.

The Date

In an awkward and cringe-worthy sequence, Travis takes Betsy to a porno theater on their date. The tension is palpable as Betsy is visibly uncomfortable. This scene is pivotal as it shows Travis's inability to connect and understand social norms, showcasing his deeper issues of intimacy and loneliness.

Context: Travis has a crush on Betsy, a campaign worker. He wants to impress her but fails spectacularly, highlighting his ineptitude in human relationships and setting the stage for his descent into madness.

Taxi Ride with the Colonel

During a taxi ride, Travis picks up a passenger who turns out to be a colonel. They have a conversation about freedom and the meaning of life, which leaves Travis more frustrated as he realizes the disconnect between their ideals and his reality. The colonel's condescending attitude only amplifies Travis's inner turmoil.

Context: Travis often finds himself in conversations that reflect his thoughts on life and his frustrations with society. This interaction is crucial as it reveals Travis's inner conflict and growing discontent with the world around him.

The Gun Purchase

Travis enters a gun shop and buys weapons with a chilling sense of purpose. His face is emotionless, almost robotic, indicating his determination to take control of his life in the only way he feels he can. The setting is grim as he expertly handles the guns, reinforcing his transformation into an embodiment of violence.

Context: This scene represents the turning point where Travis embraces violence as a means to assert himself. It foreshadows the dramatic actions he will take later in the film, highlighting his mental breakdown.

The Final Confrontation

The climax of the film occurs when Travis goes on a violent rampage to 'cleanse' the city. The visuals are chaotic and intense as he confronts various figures he deems corrupt. The frenetic pace and dramatic music heighten the tension, illustrating Travis's complete psychological unraveling.

Context: Driving towards a resolution, this moment shows the culmination of Travis's struggles. He believes he is performing a noble act, but the reality is a tragic misinterpretation of justice and heroism.

The Reflection

In the aftermath of the violence, Travis stares at himself in the mirror once again, blood smeared and looking haggard. The scene's silence speaks volumes as he reflects on his choices and any potential redemption. The audience feels a mix of horror and understanding at his despair.

Context: This moment reveals that Travis might not be a hero or villain but a deeply troubled individual. It deepens our understanding of his character as someone who is desperately seeking meaning in a chaotic world.

The Last Ride

At the film's end, Travis takes a ride in his taxi, seemingly changed. The dramatic score plays as we witness the aftermath of his actions. The once-aimless driver now seems somewhat at peace, but the ambiguity leaves viewers questioning the cost of his journey.

Context: This closing scene encapsulates the film's themes of alienation and the search for identity. Even after chaos, the unresolved nature of his transformation resonates, leaving the audience in a state of contemplation.

The Speech to Sport

Travis confronts Sport, who is involved with Iris, with a chilling determination. He delivers his lines with a frigid calmness, indicating his readiness to take drastic actions. This confrontation is tense, filled with unspoken threats and emotional volatility.

Context: This moment encapsulates Travis's obsession with rescuing Iris, showcasing his moral complexity and misguided sense of justice, which leaves viewers unsettled.

Meeting with Iris

Travis meets Iris, a young prostitute, in a pivotal scene. He attempts to connect with her, portraying a mix of compassion and desperate need to save her. The stark contrast between their lives is palpable, reflecting societal decay and innocence lost.

Context: Iris symbolizes the innocence Travis seeks to protect, but his obsession pushes this moment into a realm of tragedy. It highlights his savior complex and deep longing for connection.

The Taxi Driver's Existential Crisis

In a quiet moment, Travis sinks into despair while parked in his taxi, staring at the urban landscape surrounding him. The city's chaos reflects his internal struggle. The shot lingers, displaying his desolation and isolation more profoundly than any dialogue.

Context: This scene is a powerful reflection on Travis's mental state, depicting his feelings of insignificance within the sprawling cityscape. It's a moment that evokes empathy from the audience.

The Death of Conscience

Travis's philosophy on violence culminates in a chilling monologue moments before he confronts his destiny. His fervent declarations about cleansing the streets resonate with his deteriorated mental state, blurring the line between heroism and madness.

Context: This explicit moment reveals the depths of Travis's detachment from reality, serving as a commentary on the effects of war and societal neglect on mental health, which is one of the film’s central themes.

Iris's Transformation

After being saved by Travis, Iris undergoes a brief moment of transformation. She looks at him with gratitude while also hinting at her own brokenness. Her expression reflects the pain of lost youth and innocence, making this interaction heavy with emotional resonance.

Context: This moment serves to highlight the film's exploration of lost innocence and the impacts of a harsh environment, adding depth to Iris's character and her relationship with Travis.

The Billboards of New York

As Travis drives through the city, the billboards flash vibrant advertisements contrasting with the grim reality of his life. This dissonance becomes a visual representation of his inner conflict, amplifying the film's critique of societal values and consumerism.

Context: This scene showcases the stark contrast of external beauty against internal turmoil, emphasizing the film's overarching themes of alienation and the search for meaning in a superficial society.

The Drive Through Hell

Travis’s nighttime taxi rides through the city are punctuated with snapshots of violence and depravity. The contrast between the bright lights and the dark deeds of the city create a haunting atmosphere that encapsulates his changing mental state.

Context: These drives serve as a metaphor for Travis's journey into darkness, representing both his personal struggles and a broader commentary on societal decay.

Confronting the Pimp

When Travis confronts Iris's pimp, the tension is almost unbearable. The gritty surroundings mirror the moral decay reflected in their dialogue. This encounter signifies Travis's transformation from passive observer to an active agent of violence.

Context: This scene showcases the stark moral contrasts present, emphasizing Travis’s internal struggle and growing sense of agency, which drives the narrative forward.

The Connection with the Audience

The brief moments where Travis speaks directly to the camera draw viewers in, breaking the fourth wall in a way that forces the audience to empathize with his isolation and misery. These moments are haunting, leaving a lingering sense of discomfort.

Context: These direct addresses serve to deepen the audience's understanding of Travis's psyche, creating a unique connection while also reinforcing the alienation theme that permeates the film.

The Late-Night Confession

In a rare moment of vulnerability, Travis speaks with a fellow taxi driver about life. This conversation reveals his deep-seated fears and longing for acceptance, providing insight into his tormented mind.

Context: This scene highlights the loneliness that pervades Travis's life, adding depth to his character and illustrating the effects of alienation.

The Final Shot

The film ends with a chilling final shot of Travis, now a local hero after his violent spree. The abrupt shift in perception leaves viewers questioning the nature of heroism and morality. The camera slowly zooms in on his face, leaving his true feelings ambiguous.

Context: This closing moment encapsulates the film's themes of alienation, violence, and the search for meaning in a complex world, making it an unforgettable and thought-provoking conclusion.


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De Niro's Iconic Character Transformation

Robert De Niro immersed himself completely into the role of Travis Bickle, even going so far as to get a taxi driver's license and working night shifts in New York City.

Why it matters: This dedication brought an authentic edge to his performance, capturing the loneliness and volatility of a man struggling with societal pressures. It is a prime example of method acting influencing the film's emotional depth.

Scorsese's Unique Filming Style

Director Martin Scorsese used a combination of handheld and static camera work to create a sense of realism and intimacy, reflecting Bickle's mental state.

Why it matters: The jittery, immersive technique draws the audience into the chaotic world of 1970s New York City, making the viewer feel just as disoriented and isolated as Travis.

The Script's Evolution

The initial script by Paul Schrader went through several revisions, with the screenplay reflecting his own struggles with depression and isolation.

Why it matters: Schrader's personal connection to the material ensured that the film resonated emotionally, allowing audiences to engage deeply with Travis's character arc.

The Iconic 'You Talkin' to Me?' Scene

The famous line was improvised by De Niro. It was not part of the original script and was intended to illustrate Bickle's burgeoning madness.

Why it matters: This moment became emblematic of the film and showcased De Niro's improvisational skill, forever impacting how audiences perceive the character's explosive mental state.

Jodie Foster's Age Controversy

Jodie Foster was only 12 years old during filming but portrayed the 12-year-old prostitute Iris, a role that required significant emotional complexity.

Why it matters: Her performance earned critical acclaim, but it also sparked discussions around the ethics of child actors in adult-themed roles, adding another layer of complexity to the film’s moral landscape.

Cinematography's Message

Cinematographer Michael Chapman strategically used lighting and color to depict the grim realities of urban decay, contrasting the harshness of the streets with moments of surreal beauty.

Why it matters: This artistic choice enriched the film's visual storytelling, conveying Travis's internal conflict and making the city a character in its own right.

Scorsese's Cameo

Martin Scorsese makes a brief appearance as a passenger in Travis's cab, showcasing his belief that directors can sometimes appear within their films.

Why it matters: This moment not only adds an Easter egg for dedicated fans but also reinforces the ‘everyman’ theme in the film, emphasizing the shared experiences of all New Yorkers.

The Taxi Backstory

The taxi driven by Travis Bickle was a 1970 Ford Mustang, heavily modified to fit the film's narrative that Bickle was a war veteran turned taxi driver.

Why it matters: The choice of car not only serves as a vehicle for storytelling but also enhances the film's gritty aesthetic, symbolizing Travis’s own rough edges.

Musical Choices

The film's score by Bernard Herrmann was composed just days before the film’s release and consists of haunting jazz themes reflecting Travis's psychological state.

Why it matters: The score significantly elevates the film’s mood and tension, defining key moments and contributing to the unease that permeates throughout.

Impact of a Small Budget

With an estimated budget of $1.3 million, production had to be highly efficient, often filming on location with minimal setups.

Why it matters: This limited budget fostered creativity among the crew and cast, leading to spontaneous interactions and a rawness that elevates the film's authenticity.

The Use of Voiceover

The use of Travis’s voiceover throughout the film was a narrative choice to provide deeper insight into his psyche, something that was initially debated.

Why it matters: This technique allowed viewers intimate access to Travis's thoughts, making his eventual breakdown more poignant and relatable.

Travis's Debutant Speech

The scene where Travis speaks with the pimps and hookers was heavily staged, with actors recounting their own experiences to create an authentic atmosphere.

Why it matters: The combination of scripted dialogue and real-life anecdotes captures the grim realities of urban life, adding a layer of social commentary that resonates with the film's themes.

De Niro’s Training Regimen

De Niro bulked up for his role as Bickle, engaging in extensive weightlifting and boxing training to embody the psychological and physical transformation of the character.

Why it matters: This transformation visually reinforces Bickle's volatility, creating a jarring contrast to his more vulnerable moments and heightening the film's tension.

Editing Choices

Editor Thelma Schoonmaker worked closely with Scorsese to fine-tune pacing, cutting down scenes and creating tense, silent moments that allow the audience to feel Travis's isolation.

Why it matters: These editing choices significantly contribute to the film’s atmosphere, controlling the flow and enhancing the psychological tension that grips viewers.

Enduring Symbols

The use of the mirror as a recurring symbol throughout the movie serves as a visual metaphor for Travis's fragmented identity and self-reflection.

Why it matters: This deeper thematic element enriches interpretations of the character’s journey and invites discussion about the nature of self-perception in a detached society.

Iris's Role Was Almost Different

Initially, there were discussions about Iris having a larger role, including more backstory, but due to time constraints, much of it was cut.

Why it matters: Fostering a mystery around Iris’s character allows her story to resonate more intensely, painting her as a symbol of lost youth amidst the chaos, enhancing viewers' emotional response.

Scorsese's Love for Pulp Fiction

Scorsese cited his love for pulp novels as inspiration and injected several genre tropes into the screenplay, aiming for a gritty authenticity.

Why it matters: This influence ultimately shapes the film's tone and narrative structure, creating a ground-breaking piece that resonates as both a character study and a commentary on societal decay.

Change in Ending

The film's ending was altered from an original darker conclusion to a more ambiguous finale, leaving audiences uncertain about Travis’s fate.

Why it matters: This choice creates room for interpretation, allowing viewers to ponder the implications of vigilante justice and the complexities of Travis's character.

Robert Duvall's Absence

Actor Robert Duvall, who played a key role in the screenplay's development, was initially cast as the character Sport but ultimately did not appear in the film.

Why it matters: While Duvall's absence shifted the dynamic, his early involvement pushed the creative direction, shaping how the final product addressed the dark social issues of the time.

Translating a Controversial Concept

The theme of vigilante justice was controversial, and the production team carefully navigated public perceptions in their marketing strategy to avoid backlash.

Why it matters: This foresight helped the film gain recognition while opening dialogues about broader societal issues, cementing its status as a classic.

Cultural References

The film's references to taxi culture and the gritty urban landscape of New York have made it a time capsule of the era, reflecting real societal changes.

Why it matters: This embedded commentary adds significant cultural weight to the film, providing insights into American society during the 1970s and serving as an educational tool for future generations.

First Drafts

The original draft of the script was influenced by Schrader's fascination with the concept of loneliness and depression he experienced after his own experiences in Los Angeles.

Why it matters: This personal connection is evident in the characters, shaping deeper emotional arcs and enriching the film’s narrative with authentic struggles that many can relate to.

Weather During Filming

Filming took place during one of the coldest winters in New York, contributing to the film's bleak atmosphere but also posing challenges for the cast and crew.

Why it matters: These real conditions amplified the film's sense of isolation and contributed to the environmental authenticity permeating the film, which echoes Travis's emotional landscape.

Last-Minute Casting

Harvey Keitel was cast as Sport just weeks before filming began, a change that forced the production team to adapt rapidly to his interpretation of the character.

Why it matters: Keitel's dynamic performance introduced fresh energy to the film and added complexity to his interactions with Travis, influencing the film’s dramatic tension.


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