You Talkin' to Me?, Reelive

Travis Bickle
Travis Bickle

You talkin' to me?

Travis Bickle
Travis Bickle

You talkin' to me?

Travis Bickle
Travis Bickle

Well, I'm the only one here.

Travis Bickle
Travis Bickle

So you must be talkin' to me.

Travis Bickle
Travis Bickle

What do you want? You want to start something?

Travis Bickle
Travis Bickle

Come on, I'll give it to you.

Are You Talking to Me?, Reelive

Travis Bickle
Travis Bickle

You talkin' to me?

Travis Bickle
Travis Bickle

You talkin' to me?

Travis Bickle
Travis Bickle

Well, I'm the only one here.

Travis Bickle
Travis Bickle

So you must be talkin' to me.

Travis Bickle
Travis Bickle

What do you want? You want to start something?

Travis Bickle
Travis Bickle

Come on, I'll give it to you.

The City is a Hellhole, Reelive

Travis Bickle
Travis Bickle

The city is a hellhole.

Other Driver
Other Driver

What do you mean?

Travis Bickle
Travis Bickle

I mean, it's full of animals.

Other Driver
Other Driver

You better watch what you say.

Travis Bickle
Travis Bickle

Why? It's the truth.

You Can't Save Them All, Reelive

Betsy
Betsy

I believe in helping people.

Travis Bickle
Travis Bickle

You can't save them all.

Betsy
Betsy

But we can try.

Travis Bickle
Travis Bickle

Trying doesn't make a difference.

I've Got to Get Out of Here, Reelive

Travis Bickle
Travis Bickle

I've got to get out of here.

Betsy
Betsy

Why? What do you mean?

Travis Bickle
Travis Bickle

This place is driving me insane.

Betsy
Betsy

You can't just run away.

Travis Bickle
Travis Bickle

Maybe that's all I can do.

The Last Ride, Reelive

Travis Bickle
Travis Bickle

You don't even know what I'm going to do.

Passenger
Passenger

What are you talking about?

Travis Bickle
Travis Bickle

I'm just trying to make things right.

Passenger
Passenger

You're crazy.

The Police Aren't Here to Help, Reelive

Travis Bickle
Travis Bickle

The police aren't here to help us.

Thug
Thug

What do you mean?

Travis Bickle
Travis Bickle

I mean they don't care.

Thug
Thug

You're just a taxi driver.

I've Been Thinking, Reelive

Travis Bickle
Travis Bickle

I've been thinking...

Other Driver
Other Driver

About what?

Travis Bickle
Travis Bickle

About life and how it's just a joke.

Other Driver
Other Driver

It's not that bad.

Travis Bickle
Travis Bickle

You don't see it, do you?

I Can’t Stand It, Reelive

Travis Bickle
Travis Bickle

I can't stand it anymore.

Friend
Friend

What are you going to do?

Travis Bickle
Travis Bickle

I don't know, man. I just feel trapped.

Friend
Friend

There's always a way out.

Travis Bickle
Travis Bickle

Not for people like me.

You're All Goats, Reelive

Travis Bickle
Travis Bickle

You're all goats.

Acquaintance
Acquaintance

What does that even mean?

Travis Bickle
Travis Bickle

It means you're all just following each other.

Acquaintance
Acquaintance

What are you trying to say?

Travis Bickle
Travis Bickle

I’m trying to say that nobody thinks for themselves.

I Want Something Real, Reelive

Travis Bickle
Travis Bickle

I want something real.

Betsy
Betsy

What do you mean?

Travis Bickle
Travis Bickle

This city, these people... it's all fake.

Betsy
Betsy

But you have to find value somewhere.

They Don't Care, Reelive

Travis Bickle
Travis Bickle

They don't care about us.

Acquaintance
Acquaintance

Who?

Travis Bickle
Travis Bickle

The people running this city.

Acquaintance
Acquaintance

What can we do?

Travis Bickle
Travis Bickle

Nothing. That's the point.

You’re Not Gonna Change Me, Reelive

Betsy
Betsy

You need to change.

Travis Bickle
Travis Bickle

You're not gonna change me.

Betsy
Betsy

But you can be better.

Travis Bickle
Travis Bickle

Better? For what?

I’m Not Crazy, Reelive

Travis Bickle
Travis Bickle

I’m not crazy.

Friend
Friend

You’re scaring me.

Travis Bickle
Travis Bickle

Why? Because I see the truth?

Friend
Friend

There’s a difference between truth and madness.

You have to Fight for It, Reelive

Mentor
Mentor

You have to fight for what you believe in.

Travis Bickle
Travis Bickle

What if I don't know what I believe in?

Mentor
Mentor

Then you need to find out.

Travis Bickle
Travis Bickle

How do I do that?

You're Just a Kid, Reelive

Travis Bickle
Travis Bickle

You're just a kid.

Hustler
Hustler

I know what I'm doing.

Travis Bickle
Travis Bickle

You don't know anything.

Hustler
Hustler

You don't get it.

You Are Alone, Reelive

Travis Bickle
Travis Bickle

You are alone.

Betsy
Betsy

What do you mean?

Travis Bickle
Travis Bickle

I mean... no one understands.

Betsy
Betsy

You can talk to me.

Travis Bickle
Travis Bickle

Can I?

Life is a Game, Reelive

Travis Bickle
Travis Bickle

Life is a game.

Acquaintance
Acquaintance

What do you mean?

Travis Bickle
Travis Bickle

You just have to know how to play it.

Acquaintance
Acquaintance

You're not making sense.

Travis Bickle
Travis Bickle

Maybe not, but it’s all I got.

I’m a Taxi Driver, Reelive

Travis Bickle
Travis Bickle

I’m a taxi driver.

Betsy
Betsy

That’s all you are?

Travis Bickle
Travis Bickle

It’s more than you think.

Betsy
Betsy

But you need more.

What Are You Going to Do?, Reelive

Betsy
Betsy

What are you going to do?

Travis Bickle
Travis Bickle

You won't understand.

Betsy
Betsy

Try me.

Travis Bickle
Travis Bickle

It's not something you can just fix.

You Can't Kill Hope, Reelive

Travis Bickle
Travis Bickle

You can't kill hope.

Thug
Thug

What hope?

Travis Bickle
Travis Bickle

Hope for a better world.

Thug
Thug

Hope's for fools.

Travis Bickle
Travis Bickle

Maybe so, but it's all I've got.

Travis Bickle

You talking to me? You talking to me? Then who the hell else are you talking to? You talking to me? Well, I'm the only one here.

Travis Bickle

A Taxi Driver, Reelive
Travis Bickle

I got some bad ideas in my head.

Travis Bickle

A Taxi Driver, Reelive
Travis Bickle

I’m just trying to make a living here, you know?

Travis Bickle

A Taxi Driver, Reelive
Travis Bickle

Listen, you fuckers, you screwheads. Here is a man who would not take it anymore. A man who stood up against the odds.

Travis Bickle

A Taxi Driver, Reelive
Travis Bickle

You know, they can't see. They can't see you, can they?

Travis Bickle

A Taxi Driver, Reelive
Travis Bickle

It's all a bunch of bullshit.

Travis Bickle

A Taxi Driver, Reelive
Travis Bickle

You want to be a comedian? You want to be a comic, huh?

Travis Bickle

A Taxi Driver, Reelive
Travis Bickle

All the animals come out at night. Whores, skunks, pederasts... sick, venal. Some folks, you just can't reach.

Travis Bickle

A Taxi Driver, Reelive
Travis Bickle

I’m alone. I’m lonely.

Travis Bickle

A Taxi Driver, Reelive
Travis Bickle

You know, I got a job to do, and I'm going to do it.

Travis Bickle

A Taxi Driver, Reelive
Travis Bickle

You think I'm a nobody?

Travis Bickle

A Taxi Driver, Reelive
Travis Bickle

This city is like an open sewer. It's full of filth and grime.

Travis Bickle

A Taxi Driver, Reelive
Travis Bickle

You are what you are.

Travis Bickle

A Taxi Driver, Reelive
Travis Bickle

I got no one to talk to.

Travis Bickle

A Taxi Driver, Reelive
Travis Bickle

What a photograph, are you kidding?

Travis Bickle

A Taxi Driver, Reelive
Travis Bickle

You see, I'm not crazy. My mother had me tested.

Travis Bickle

A Taxi Driver, Reelive
Travis Bickle

There is no time for that!

Travis Bickle

A Taxi Driver, Reelive
Travis Bickle

You can’t knock my hustle.

Travis Bickle

A Taxi Driver, Reelive
Travis Bickle

I don't know what it is, but I know I want it.

Travis Bickle

A Taxi Driver, Reelive
Travis Bickle

I’m trying to help you. You need help.

Travis Bickle

A Taxi Driver, Reelive
Travis Bickle

Someday a real rain will come and wash all this scum off the streets.

Travis Bickle

A Taxi Driver, Reelive
Travis Bickle

I see you in the papers.

Travis Bickle

A Taxi Driver, Reelive
Travis Bickle

I just want to be somebody.

Travis Bickle

A Taxi Driver, Reelive

La Vie en Rose

La Vie en Rose by Édith Piaf, Played during a memorable moment with the protagonist.

The Girl from Ipanema

The Girl from Ipanema by Astrud Gilberto, Background music in several scenes showcasing the setting.

Tears

Tears by Yoon Sang, Played during emotional pivotal moments.


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Travis's Isolation

Travis Bickle, played by Robert De Niro, drives his taxi through the dark, rain-soaked streets of New York City. As he observes the people around him, we see his deep sense of loneliness and alienation. This scene is built up by Travis’s daily life, where he struggles to connect with others and is haunted by the city’s chaos. The powerful moment peaks when he looks into the rearview mirror and quietly states, 'You talking to me?' It captures his intense loneliness and his desire for some form of connection. After this scene, the audience really understands Travis's mindset and his unraveling mental state. The emotion evokes sadness and a sense of empathy for his plight. This scene is significant as it sets the tone for Travis’s character - a man deeply at odds with himself and the world around him.

Context: This moment comes early in the film, reflecting Travis’s perspective of the world. It establishes his character's isolation and his inner turmoil which drives the narrative forward.

The First Date

Travis takes Betsy, played by Cybill Shepherd, to see 'The Connection.' The build-up involves Travis's nervousness and excitement about taking Betsy out, showing his yearning for companionship. The pivotal moment occurs when Betsy realizes the film is not what she expected, and she stands up to leave, sensing that their worldviews clash drastically. The aftermath sees Travis heartbroken and questioning himself. He feels more isolated than ever, leading him further down a dark path. Viewers feel the sting of rejection and the raw vulnerability of Travis. This scene highlights the theme of disconnection and the difficulty in forming relationships.

Context: This takes place after Travis has developed feelings for Betsy, illustrating the clash between his dark world and her more hopeful outlook.

The Gun Purchase

Travis decides to buy a gun to take control over his life. The context leading up to this involves his growing frustration with the city’s violence and his feeling of helplessness. The pivotal moment is the moment he confidently asks for a .44 Magnum. The tension peaks here as we see his transformation from a passive observer to someone ready to take action. This decision shows his shift towards violence. After this scene, Travis becomes more dangerous and impulsive. The emotional weight here is one of foreboding, leaving viewers anxious about what Travis might do next. This scene highlights themes of violence and the lengths to which individuals go when feeling powerless.

Context: This scene illustrates a turning point for Travis as he opts for violence as a solution to his feelings of inadequacy and frustration.

The Presidential Rally

Travis attends a presidential rally where he feels the excitement of the crowd but remains detached. The build-up involves him following the campaign trail but feeling out of place among the throngs of supporters. The pivotal moment is when he stands in a bathroom at the rally and decides he wants to make a name for himself in a destructive way. The aftermath leads Travis down the path toward violence that culminates in disastrous events. Viewers feel a mix of confusion and curiosity about his motives. This moment perfectly encapsulates his internal struggle with purpose and his misguided desires. It represents his desire to be seen and heard, even if it leads him to destruction.

Context: This scene underlines Travis's state of mind and his growing obsession with a destructive purpose as he grapples with his identity.

Rescue Mission

Travis decides to save Iris, a young prostitute, from her situation. The build-up occurs when he sees her that night in his taxi and learns about her troubled life. The pivotal moment happens when he confronts her pimp, Sport, leading to a standoff filled with tension. The action escalates fiercely, culminating in gunfire. After this scene, Travis goes from being a withdrawn man to one filled with purpose, even if it's misguided. Viewers feel a surge of urgency and hope for Iris’s future, but also dread fearing the violence that will follow. This moment explores themes of redemption and the lengths one will go to save another.

Context: Travis's obsession with reclaiming his sense of purpose drives him to this climactic encounter, setting the stage for his transformation.

The Violent Showdown

The climax occurs in the brothel, where Travis confronts the characters representing the city’s darkness. The build-up consists of Travis turning into a vigilante, a man who feels justified in his actions. The pivotal moment is when he draws his weapon and starts shooting, his pent-up rage spilling forth in brutal violence. The aftermath leaves a stark contrast to his earlier isolation, as he now holds an unsettling presence. Viewers feel shock, fear, and even a strange relief as Travis acts against the brutality he despises. This scene highlights the extremes of vigilantism and the consequences of isolation spiraling into violence.

Context: This scene encompasses Travis's final transformation into the man he believes he needs to be, unable to recognize the cost of his newfound identity.

Facing Betsy Again

After his violent actions, Travis encounters Betsy again. During their interaction, Travis tries to explain himself but there's an overwhelming distance between them. The emotional build-up sees Travis wanting connection, but he can no longer bridge the gap. The pivotal moment occurs when Betsy recoils from him, unable to accept who he’s become. The aftermath highlights Travis’s complete isolation. The viewers feel heartbreak for both characters—Betsy realizes the lengths of Travis's struggle, while he is confronted with the reality of his choices. This moment resonates deeply as it is emblematic of unbridgeable divides and lost opportunities.

Context: This meeting poses the ultimate contrast between who Travis was and who he has become, illustrating the narrative's tragic trajectory.

The Taxi Ride Home

After his confrontation at the brothel, Travis drives through the city, reflecting on what he has done. The build-up of this scene comes from the chaos he’s unleashed and the contemplation of his own psyche. The pivotal moment is when he gazes into the mirror again, understanding a changed version of himself. The aftermath suggests a price for his actions; he earned notoriety but at the cost of his sanity. Viewers feel a mix of admiration and despair—Travis has reclaimed a sense of purpose, but he has entered a dark abyss. This scene embodies the themes of moral ambiguity and the chase for redemption, echoing the human condition.

Context: This moment cements the binary nature of Travis's character transformation while he reflects on the ramifications of his violent actions.

The Ending Ambiguity

The film concludes with Travis’s redemption arc, where he saves Iris and becomes a local hero. The build-up consists of the chains of violence lifting, replaced with public admiration. The pivotal moment lies in his recognition by the media and society as a savior. The aftermath, however, doesn’t resolve the deeper issues—Travis remains in a grey area morally. Viewers feel conflicted; are we meant to admire him or fear him? This closing scene encapsulates the ambiguity of heroism and reflects the complexities of human behavior. It prompts viewers to reflect on societal issues, violence, and morality.

Context: This concluding moment ties back to the film’s exploration of isolation, society’s perception of heroism, and the tragic pursuit of identity.


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Taxi Cab Selection

The iconic yellow taxi used in the film was specifically chosen to represent the streets of New York City.

Why it matters: The choice of taxi symbolizes the chaotic, bustling environment that characterizes the life of the protagonist, Travis Bickle, enhancing the film's gritty realism.

Styling Travis Bickle

Robert De Niro gained 15 pounds to accurately portray Travis's disheveled, disillusioned character.

Why it matters: This physical change helped De Niro embody the character's mental state and urban alienation, resonating deeply with audiences.

Dialogue Improvement

De Niro improvised the famous line 'You talking to me?' during a key scene.

Why it matters: This spontaneous moment added a layer of authenticity and madness to Travis's character, securing its place in cinematic history.

Directorial Vision

Director Martin Scorsese initially wanted non-professional actors for some supporting roles to add realism.

Why it matters: This decision contributed to the film's raw, documentary-like feel, further immersing audiences in the storyline.

Cinematography Techniques

The use of hand-held cameras was a deliberate choice to lend a sense of claustrophobia and intimacy.

Why it matters: This technique heightened the emotional impact of the scenes, allowing viewers to feel Travis's isolation and turmoil.

Final Fight Scene

The ending scene was shot with minimal rehearsals to capture the raw and unpredictable nature of violence.

Why it matters: The spontaneity of the fight makes it more intense and visceral, impacting how audiences perceive violence and chaos.

Martin Scorsese's Cameo

Director Martin Scorsese appears in the film as a passenger in the taxi.

Why it matters: This moment reflects Scorsese's hands-on approach and adds an insider's touch to the narrative.

Advice from a Real Taxi Driver

To prepare for the role, De Niro spent time driving a taxi in New York and learned about the lives of cab drivers.

Why it matters: This immersive research gave authenticity to his portrayal, making Travis's character more relatable and nuanced.

Soundtrack Selection

The film's haunting score was composed by Bernard Herrmann, who completed it shortly before his death.

Why it matters: Herrmann’s score enhances the emotional weight of the film, underscoring Travis's loneliness and despair.

Social Commentary

The film's production coincided with a significant crime wave in New York City in the 1970s.

Why it matters: This context adds a layer of social commentary, making the film a reflection of the city's struggle with violence and urban decay.

Rehearsal Dynamics

Scorsese encouraged a collaborative rehearsal process, allowing actors to bring their interpretations to the roles.

Why it matters: This approach strengthened performances, fostering a dynamic that made the characters more lifelike.

Makeup Transformation

The makeup team utilized a variety of techniques to transform Jodie Foster into a 12-year-old prostitute, including aging her appearance.

Why it matters: This transformation raises ethical questions about youth and exploitation, contributing to the film’s darker themes.

Character Backstory

Scriptwriter Paul Schrader drew inspiration from his own experiences with insomnia and isolation to shape Travis Bickle’s character.

Why it matters: This personal connection adds depth to the screenplay, making it emotionally resonant and authentic.

Location Filming

Many scenes were shot on location in New York City, leading to unpredictable interactions with real-life New Yorkers.

Why it matters: The film's genuine setting contributes to the authenticity of the characters' experiences and dynamics.

Costume Design Decisions

De Niro and costumer designer Ruth E. Carter collaborated closely to define Travis's iconic look, including his mohawk.

Why it matters: The distinct visual representation of Travis became a symbol of rebellion and alienation in the 70s culture.

Cultural Impact of the Film

The film's raw depiction of urban violence influenced a wave of crime-oriented films in the decades that followed.

Why it matters: This has led to a lasting legacy in cinema, defining a genre and exploring the impact of mental health and social issues.

Taxi Driver's Iconic Poster

The film’s promotional poster was designed with the tagline 'On Every Street, You Can’t Hide.'

Why it matters: This tagline encapsulated the film's themes of lurking danger and the struggle of the individual against society.

Influence on Video Game Culture

The film has inspired multiple video games that explore similar themes of isolation and violence.

Why it matters: This connection illustrates the film's enduring relevance and its capacity to reach beyond traditional film media.

Realism in Dialogue

The conversations between Travis and other characters were often improvised to capture naturalistic interactions.

Why it matters: This technique adds a layer of authenticity, enhancing character development and audience connection.

Editing Pace

The editing style of the film was deliberately created to maintain a frenetic pace that mirrors Travis's mental decline.

Why it matters: This pacing choice contributes significantly to the film’s tension, engaging the audience in Travis's deteriorating psyche.

Influence from Classic Films

Scorsese drew inspiration from classic film noir for mood and style, paying homage to the genre.

Why it matters: This artistic choice connects 'Taxi Driver' to cinematic history, enriching viewers' understanding of its themes.


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The Great War

The Maltese Falcon